Should You Release New Music in January or Wait Until Later In The Year?

Understanding the music landscape will help you decide whether to release your music immediately in the new year or plan for further down the line.

4 min read

black and gray microphone with stand
black and gray microphone with stand

Every year, artists feel the pressure to start January with a bang. A new year brings new goals, new energy and a renewed desire to “finally take music seriously”. It feels intuitive to kick things off by releasing a new single right away. But is January actually a smart month to release music? Or are there hidden disadvantages that could hold your music back?

In 2026, the answer depends on what stage you’re at in your career, what your release strategy looks like and how prepared you are behind the scenes. January can be a strong month for some artists and a very tough one for others. Understanding the landscape will help you decide whether to jump in immediately or plan for later in the year.

The January Streaming Dip: Why Fewer People Press Play

Whether you’re an established artist or just starting out, one universal truth applies: January is traditionally one of the quietest listening months of the year. After the streaming boom of December, driven by holiday playlists and long periods of downtime, listeners tend to hit a reset button. Many cut back on subscriptions, switch to news podcasts or return to their usual non-festive listening habits.

This doesn’t mean your release will flop; it simply means you’ll be competing for attention at a time when overall engagement is historically lower. Even major-label artists often avoid early January unless they have a strategic reason. For an independent artist who relies heavily on organic discovery, this could make growth more challenging.

The Advantage of a Quiet Month: Less Competition, More Space

Despite the drop in listener activity, January offers one distinct advantage: fewer artists release music during this period. With labels typically holding new releases until mid-February or later, the start of the year can become a quieter landscape.

This gives independent artists a rare opening. Without major releases dominating New Music Friday playlists, you could find it easier to get onto algorithmic playlists, smaller editorial placements or fan-driven discovery. If your strategy relies less on huge streaming volumes and more on consistent visibility, January can work in your favour.

Are You Actually Ready to Release? The Most Important Question

Many artists rush to release music in January because it feels symbolic. New year, new single. But releasing too early often prevents a song from reaching its full potential. Before choosing a January release, ask yourself whether you have the foundations in place.

This includes having your artwork ready, metadata checked, pre-save links set up, ads planned, press outreach scheduled and social content prepared. January only works if you are releasing from a place of strength. If you're still scrambling to organise the essentials, waiting until February or March will give you a stronger launch.

How Streaming Algorithms Behave at the Start of the Year

Spotify’s algorithm doesn’t care that it’s January, but it does care about your track’s early performance. The first seven to ten days after release are critical. If your listen-through rate, saves, playlist additions and repeat plays are high, your song has a strong chance of being recommended to more listeners.

Because overall engagement is lower in January, it can sometimes be harder to gather that early momentum. This is particularly true if you depend heavily on Discover Weekly, Release Radar and Radio features to grow your audience. If your fanbase is still small, you may find greater success releasing later when listening habits stabilise.

The Case for Waiting Until Later in 2026

For many artists, waiting until February, March or April comes with clear advantages. Listener behaviour has returned to normal, people are discovering more new music and editorial teams are fully back to work after the slow holiday period.

Releasing later also gives you time to prepare your rollout properly. You can build anticipation, improve your TikTok content, pitch to editorial playlists, update your press kit and start planning any ad campaigns or collaborations. A well-planned release in spring normally outperforms a rushed January drop.

When January Is the Ideal Month to Release

There are times when January is the perfect choice. If you’re releasing a reflective, winter-themed track, the timing makes artistic sense. January also suits artists who prioritise consistency over big streaming numbers. If you're building a release every six to eight weeks, for example, January naturally becomes part of your cycle.

Artists with a strongly engaged fanbase may also see strong results in January because their core listeners will show up regardless of seasonal trends. If you already have momentum from late-2025 releases, continuing into January may help keep that energy alive.

How to Decide What’s Best for You

In the end, the choice isn’t about whether January is “good” or “bad”, but whether it fits your strategy. If you have a well-planned rollout, clear goals and an engaged audience, January could help you stand out. If you're still building your foundation or want the best shot at high streaming engagement, waiting until February or beyond usually gives you a better landscape to work in.

What matters most is timing your release around your preparation, not the calendar.

A New Year, a New Strategy: Make the Timing Work for You

The start of a new year always brings pressure to act fast, but releasing music strategically will serve you far better than releasing symbolically. January can be a strategic advantage or an uphill battle, depending on your goals and readiness. Take the time to step back, evaluate what you want to achieve in 2026 and choose the release month that supports growth rather than rushes it.

When the timing is right, your music has a far better chance of finding the audience it deserves.